Blue Skies.
Fragments of sky between structures. Memory moving through open space.
Blue Skies is an ongoing state within my practice — a way of seeing shaped by impressions of the New York City skyline experienced from ground level, where buildings compress space and fragments of sky appear between structures. Rather than marking a fixed period, the series emerges whenever paintings open into this suspended field of light and space. Some works begin here; others evolve from earlier pieces revisited and transformed. Human and animal silhouettes surface as passing traces, echoing the rhythms of the city without becoming fixed narratives. Through abstraction, Blue Skies becomes less a category and more a condition — a space where urban perception dissolves into memory.
Through abstraction, Blue Skies becomes less a category and more a condition — a suspended field where urban density opens into moments of breath.